Anae, N. (2024). Introduction. In N. Anae (Ed.), Ecocritical menopause: Women, literature, environment, "The change" (pp. 1-16). Lanham, MD: Lexington Books. Retrieved from https://rowman.com/

Anae, N. (2024). Afterword - Ecocritical menopause studies: An emergent investigative field. In N. Anae (Ed.), Ecocritical menopause: Women, literature, environment, "The change" (pp. 161-178). Lanham, MD: Lexington Books. Retrieved from https://rowman.com/

Anae, N. (2024). Rehabilitating the witch: An ecocritical reading of “Hänsel and Gretel”. In N. Anae (Ed.), Ecocritical menopause: Women, literature, environment, "The change" (pp. 47-64). Lanham, MD: Lexington Books. Retrieved from https://rowman.com/

Mead, N. (2024). The change by Kirsten Miller: An ecofeminist manifesto for menopause. In N. Anae (Ed.), Ecocritical menopause: Women, literature, environment, "The change" (pp. 101-114). Lanham, MD: Lexington Books. Retrieved from https://rowman.com/

Anae, N. (2024). Culture and trans literature. In D. A. Vakoch, & S. Sharp (Eds.), The Routledge handbook of trans literature (pp. 19-28). New York, NY: Routledge. doi:10.4324/9781003365938-3

Anae, N. (2024). Trans poetics and trans literature. In D. A. Vakoch, & S. Sharp (Eds.), The Routledge handbook of trans literature (pp. 257-266). New York, NY: Routledge. doi:10.4324/9781003365938-25

Anae, N. (2023). Cultural studies and ecofeminist literature. In D. A. Vakoch (Ed.), The Routledge handbook of ecofeminism and literature (pp. 290-300). New York, NY: Routledge. doi:10.4324/9781003195610-29

Anae, N. (2023). African literature and ecofeminism. In D. A. Vakoch (Ed.), The Routledge handbook of ecofeminism and literature (pp. 101-125). New York, NY: Routledge. Retrieved from https://www.taylorfrancis.com/

Anae, N. (2022). “Narrative medicine” in the age of COVID-19: The power of creative writing to reimagine environmental crisis. In D. A. Vakoch, & S. Mickey (Eds.), Eco-anxiety and planetary hope: Experiencing the twin disasters of COVID-19 and climate change (pp. 129-138). Cham, Switzerland: Springer. doi:10.1007/978-3-031-08431-7_13

Anae, N., & Vakoch, D. A. (2022). Introduction. In D. A. Vakoch, & N. Anae (Eds.), Indian Feminist Ecocriticism (pp. ix-xx). Lanham, MD: Lexington Books. Retrieved from https://rowman.com/ISBN/9781666908718/Indian-Feminist-Ecocriticism

Anae, N. (2021). Ecofeminist utopian speculations in Henrietta Dugdale’s A few hours in a far-off age (1883); Catherine Helen Spence’s A week in the future (1888); Mary Anne Moore-Bentley’s A woman of Mars; or, Australia’s enfranchised woman (1901); and Joyce Vincent’s The celestial hand: A sensational story (1903). In D. A. Vakoch (Ed.), Dystopias and utopias on Earth and beyond: Feminist ecocriticism of science fiction (pp. 98-113). New York, NY: Routledge. doi:10.4324/9781003152989

Anae, N. (2021). Zoom in and Zoom out: Virtual creative writing classroom pedagogy using Zoom. In T. Girardi, & A. G. Scheg (Eds.), Theories and strategies for teaching creative writing online (1st ed., pp. 71-87). Abingdon, UK: Routledge. Retrieved from https://www.taylorfrancis.com/

Anae, N. (2020). Sexuate ecologies and the landmarking of transgender cultural heritage in Australian schools. In D. A. Vakoch (Ed.), Transecology: Transgender perspectives on environment and nature (1st ed., pp. 147-173). Abingdon, UK: Routledge. Retrieved from https://www.routledge.com/

Anae, N. (2019). "They will all be my color": Nina Mae McKinney and Black Internationalism in 1930s Australia. In K. N. Blain, & T. M. Gill (Eds.), To turn the whole World over: Women and Black Internationalism (pp. 123-148). Urbana, Illinois: Board of Trustees of the University of Illinois. doi:10.5406/j.ctvfp631m.9

Anae, N. (2019). Indigenous Australian detective fiction as political writing. In Ö. Çakırtaş (Ed.), Language, power, and ideology in political writing: Emerging research and opportunities (pp. 1-30). Hershey, Pennsylvania, USA: IGI Global. doi:10.4018/978-1-5225-9444-4.ch001

Anae, N. (2018). "101 in the Shade": Christmas Pudding in Australian popular and literary verse 1830–1900. In L. Piatti-Farnell, & D. L. Brien (Eds.), The Routledge Companion to Literature and Food (1st ed., pp. 113-126). New York, NY.: Routledge. Retrieved from https://www.routledge.com/

Anae, N. (2018). “Now you cookin’ with gas”: Zora Neale Hurston and her legacy 1891—1960. In H. V. Williams (Ed.), Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (1st ed., pp. 101-120). Santa Barbara, CA: Praeger. Retrieved from https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=A4678C

Anae, N. (2018). “Taking mighty strides across the world”: positioning Zora Neale Hurston in the ecofeminist tradition. In D. A. Vakoch, & S. Mickey (Eds.), Literature and Ecofeminism: Intersectional and International Voices (1st ed., pp. 84-98). Abingdon, UK: Routledge. Retrieved from https://www.routledge.com/

Anae, N. (2018). Self-mapping: The power of self-produced “Self” images as a stimulus to action and empowerment. In A. August (Ed.), Visual Imagery, Metadata, and Multimodal Literacies Across the Curriculum (pp. 77-98). Hershey, Pennsylvania: IGI Global. doi:10.4018/978-1-5225-2808-1.ch005

Anae, N. (2017). "'Fashioned in the image of the devil': Murderess Maria Manning as 'The Lady Macbeth of the Bermondsey Stage'". In L. Fallwell, & K. V. Williams (Eds.), Gender and the Representation of Evil (pp. 67-85). New York, NY.: Routledge. doi:10.4324/9781315531571

Anae, N. (2016). Spectacles of revulsion: The challenges of “Bush-tucker” as contemporary cuisine. In H. L. Davis, K. Pilgrim, & M. Sinha (Eds.), Ecopolitics of Consumption: The Food Trade (pp. 33-55). Lanham, MD: Rowman & Littlefield. Retrieved from https://rowman.com/

Anae, N. (2010). "Operatic performances two hundred miles in the Australian bush": Staging rural identity, the case of Madame Fannie Simonsen in Wagga Wagga, 1866. In N. Blacklow, & T. Whitford (Eds.), Where the Crows Fly Backwards: Notions of Rural Identity (pp. 67-83). Queensland, Australia: Post Pressed.

Anae, N. (Ed.) (2024). Ecocritical menopause: Women, literature, environment, "The change". Lanham, MD: Lexington Books. Retrieved from https://rowman.com/

Vakoch, D. A., & Anae, N. (Eds.) (2022). Indian feminist ecocriticism. Lanham, MD: Lexington Books. Retrieved from https://rowman.com/ISBN/9781666908718/Indian-Feminist-Ecocriticism

Anae, N. (2020). Gothic secret histories and representing Australian colonial deaths at sea: The case of Captain Charles Wright Harris and the wreck of the SS Admella (1859). Journal of Victorian Culture, 25(4), 512-536. doi:10.1093/jvcult/vcz061

Anae, N. (2020). “Embracing what is rightfully ours”: Representing Australian Aboriginal Brotherboy identities. European Journal of English Studies, 24(1), 76-88. doi:10.1080/13825577.2020.1730036

Anae, N. (2019). “Is Boggabilla where Bill takes a dump?’ Writing an Australian literary regionalism: Stories and poetry published in Idiom 23 literary magazine, 2016–2018.”. TEXT: Journal of Writing and Writing Programs, (Special Issue 54), 1-18. Retrieved from http://www.textjournal.com.au/speciss/issue54/content.htm

Anae, N. (2018). Shakespearean Henry Kemble creates a “row” on the Australian Colonial Stage, 1846–1859. Shakespeare, 14(3), 236-249. doi:10.1080/17450918.2018.1496947

Anae, N. (2018). “[T]hey seemed to recognise us as brethren from a far distant tribe”: The influence of the fisk jubilee singers among Australian and New Zealand indigenous communities, 1886-1936. Historian, 80(2), 241-292. doi:10.1111/hisn.12832

Anae, N. (2017). The ‘punches behind the punch’: Poetry as Victim Impact Statement. TEXT Special Issue 38: Illumination through narrative: using writing to explore hidden life experience, (38), 1-12. Retrieved from http://www.textjournal.com.au/speciss/issue38/Anae.pdf

Anae, N. (2016). Writing murder: Elements of Gothic horror in Matthew Milat’s ‘meat axe’ poetry. TEXT: Journal of Writing and Writing Programs, (Special issue 35), 1-14. Retrieved from http://www.textjournal.com.au/speciss/issue35/content.htm

Anae, N. (2016). The German-Jew that Bandmann drew: Daniel E. Bandmann’s Shylock on the Australian colonial stage, 1869–1870. Shakespeare, 12(4), 389-410. doi:10.1080/17450918.2016.1196723

Anae, N. (2016). “Among the Boer children”: Australian women teachers in South African concentration camp schools, 1901-1904. History of Education Review, 45(1), 28-53. doi:10.1108/HER-12-2014-0049

Anae, N. (2014). ‘Brave Young Singers’: Children's poetry-writing and 1930s Australian distance education. History of Education Review, 43(2), 209-230. doi:10.1108/HER-01-2013-0002

Anae, N. (2014). ‘Language speaking the subject speaking the arts’: New possibilities for interdisciplinarity in Arts/English education: Explorations in three-dimensional storytelling. English Teaching : Practice and Critique, 13(2), 113-140. Retrieved from http://edlinked.foe.waikato.ac.nz/research/files/etpc/files/2014v13n2art7.pdf

Anae, N. (2014). “Creative writing as freedom, education as exploration”: Creative writing as literary and visual arts pedagogy in the first year teacher-education experience. Australian Journal of Teacher Education, 39(8), 123-142. doi:10.14221/ajte.2014v39n8.8

Anae, N. (2014). “The majestic Hebrew racial ideal”: Herr Daniel E. Bandmann’s Shylock on the Australian stage, 1880—1883. Shakespeare Jahrbuch: Shakespeare Yearbook (English), 150, 1-19. Retrieved from http://shakespeare-gesellschaft.de/en/jahrbuch/volume-150-2014/contents.html

Anae, N. (2013). "She flings her elfin dreams of mystery”: The child-poet Gwen Cope in the land of “Australian Faery,” 1931–1939". Bookbird: a journal of international children's literature, 51(1), 20-30. doi:10.1353/bkb.2013.0002

Anae, N. (2013). ‘Very scanty covering for the chocolate body’: The art of burlesque and the Fijian Cricket Team in Australia, 1907–1908. Australasian Drama Studies, 63, 33-51. Retrieved from http://www.latrobe.edu.au/

Anae, N. (2013). Athenian and Shakespearean tragedies in Oceaniai: Teaching dramatic literatures in Fiji. English Teaching : Practice and Critique, 12(2), 121-139. Retrieved from http://edlinked.foe.waikato.ac.nz/research/journal/index.php?id=1

Anae, N. (2012). ‘Strange Disclosures’: The story of the criminal forger and absconder, Elias Rosenwax and his capture in Levuka by ‘Evarama, the Native Fijian Policeman’, 1871. Australian Humanities Review, 52(1278), 19-33. Retrieved from http://press.anu.edu.au//wp-content/uploads/2012/08/nicole-anae.pdf

Anae, N. (2012). Celebrated executioner[s]': Shakespearean oratory and space in mid-nineteenth-century colonial Australia. Australasian Drama Studies, 60, 83-101. Retrieved from http://www.latrobe.edu.au/

Anae, N. (2010). ‘Operatic performances two hundred miles in the Australian bush’: Staging rural identity, the case of madame Fannie Simonsen in Wagga Wagga, 1866. Rural Society, 20(S1), 67-83.

Anae, N. (2009). An infant phenomenon in colonial Australia: The case of Anna Maria Quinn, 1854–1858. Historian, 71(1), 55-78. doi:10.1111/j.1540-6563.2008.00231.x

Anae, N. (2008). Poses plastiques: The art and style of 'statuary' in Victorian visual theatre. Australasian Drama Studies, 52, 112-130. Retrieved from http://search.informit.com.au/documentsummary;dn=791839100117095;res=ielhss

Anae, N. (2007). Belly-speakers, machines and dummies': Puppetry in the Australian colonies, 1830 – 1850s. Australasian Drama Studies, 51, 36-56. Retrieved from http://www.latrobe.edu.au/

Anae, N. (2006). Adventures in nineteenth-century gender-bending: Lady Emilia Don in Tasmania, 1862 and 1865. Australasian Drama Studies, 48, 30-48. Retrieved from http://www.latrobe.edu.au/

Anae, N. (2005). ‘The new prima donnas’: ‘Homegrown’ Tasmanian ‘stars’ of the 1860s Emma and Clelia Howson. Journal of Australian Studies, 28(84), 173-181. doi:10.1080/14443050509388003

Anae, N. (2014). ‘Solitarily uniting’: Crossing creative thresholds with Syd Harrex. In Minding the gap : writing across thresholds and fault lines papers – the refereed proceedings of the 19th conference of the Australasian Association of Writing Programs, 30 November - 2 December 2014, Wellington NZ editors, Gail Pittaway, Alex Lodge and Lisa Smithies. (pp. 1-18). Hamilton, NZ: Wintec: Waikato Institute of Technology.

Anae, N. (2005). 'A Crowned and Selected Band of Women': Tasmanian Actress/celebrities of the Nineteenth Century & Home grown Identity. (University of Tasmania).